{"id":4182,"date":"2024-10-03T19:59:17","date_gmt":"2024-10-03T19:59:17","guid":{"rendered":"https:\/\/tomeri.org\/notes\/?p=4182"},"modified":"2025-03-29T17:20:46","modified_gmt":"2025-03-29T17:20:46","slug":"much-ado-about-nothing","status":"publish","type":"post","link":"https:\/\/tomeri.org\/notes\/2024\/10\/03\/much-ado-about-nothing\/","title":{"rendered":"Much Ado about Nothing"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-purple-color\">October 2024<\/mark><\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-purple-color\">Reading as part of the Fall 2024 Shakespeare course &#8212; see <a href=\"https:\/\/tomeri.org\/notes\/2024\/09\/09\/shakespeare-course-fall-2024\/\">general notes for more<\/a>.<\/mark><\/em><\/p>\n\n\n\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_84 counter-hierarchy ez-toc-counter ez-toc-light-blue ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><ul class='ez-toc-list-level-2' ><li class='ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/tomeri.org\/notes\/2024\/10\/03\/much-ado-about-nothing\/#Precis_of_Much_Ado_About_Nothing\" >Precis of Much Ado About Nothing<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/tomeri.org\/notes\/2024\/10\/03\/much-ado-about-nothing\/#The_Play_Itself_and_Its_Characters\" >The Play Itself, and Its Characters<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/tomeri.org\/notes\/2024\/10\/03\/much-ado-about-nothing\/#Inhabitants_of_Messina\" >Inhabitants of Messina<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/tomeri.org\/notes\/2024\/10\/03\/much-ado-about-nothing\/#Visiting_Soldiers_in_Messina\" >Visiting Soldiers in Messina<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/tomeri.org\/notes\/2024\/10\/03\/much-ado-about-nothing\/#Action_11_12_13\" >Action: 1.1, 1.2 &amp; 1.3<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/tomeri.org\/notes\/2024\/10\/03\/much-ado-about-nothing\/#Action_21_22_23\" >Action: 2.1, 2.2, 2.3<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/tomeri.org\/notes\/2024\/10\/03\/much-ado-about-nothing\/#Action_31_%E2%80%93_32\" >Action: 3.1 \u2013 3.2<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/tomeri.org\/notes\/2024\/10\/03\/much-ado-about-nothing\/#The_Constabulary\" >The Constabulary<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/tomeri.org\/notes\/2024\/10\/03\/much-ado-about-nothing\/#Acts_33_%E2%80%93_5\" >Acts 3.3 \u2013 5<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-10\" href=\"https:\/\/tomeri.org\/notes\/2024\/10\/03\/much-ado-about-nothing\/#Act_41_%E2%80%93_54_end\" >Act 4.1 \u2013 5.4 (end)<\/a><\/li><\/ul><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-1'><a class=\"ez-toc-link ez-toc-heading-11\" href=\"https:\/\/tomeri.org\/notes\/2024\/10\/03\/much-ado-about-nothing\/#i\" >#  #   #<\/a><\/li><\/ul><\/nav><\/div>\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Precis_of_Much_Ado_About_Nothing\"><\/span>Precis of Much Ado About Nothing<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Don Pedro<\/strong>&nbsp;and his cohort arrive at the residence of&nbsp;<strong>Leonato, governor of Messina<\/strong>, who has a daughter&nbsp;<strong>Hero<\/strong>&nbsp;and a niece,&nbsp;<strong>Beatrice<\/strong>. Beatrice, a witty and assertive woman has long been in a \u201cmerry war\u201d of words with returning soldier&nbsp;<strong>Signor Benedict<\/strong>. Don Pedro decides to play match maker and deceives them both, leading each to think the other is in love with them, and so Beatrice is matched with the marriage-shy Benedict. At the same time, her cousin, Hero, is on course to wed Count Claudio, hero of the recent war, until she is framed by&nbsp;<strong>the villainous Don John<\/strong>, brother to Don Pedro. Don John\u2019s ruse succeeds for some, pitting Beatrice and Benedict against Count Claudio, Leonato and others, until&nbsp;<strong>Dogberry<\/strong>, a crazy constable, exposes the deception carried out by John\u2019s henchmen,&nbsp;<strong>Borrachio<\/strong>&nbsp;and&nbsp;<strong>Conrade<\/strong>, and everyone is reconciled and married.&nbsp;<\/p>\n\n\n\n<!--more-->\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"The_Play_Itself_and_Its_Characters\"><\/span>The Play Itself, and Its Characters<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Inhabitants_of_Messina\"><\/span>Inhabitants of Messina<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Leonato<\/strong>, Governor of Messina<\/li>\n\n\n\n<li><strong>Leonato&#8217;s Brother.<\/strong> He is unnamed; apparently he is <span style=\"text-decoration: underline;\">not<\/span> Beatrice&#8217;s father. <\/li>\n\n\n\n<li><strong>Hero<\/strong>, Leonato&#8217;s daughter. She appears to be a fairly conventional young woman, and will very shortly agree to marry Clauido. \\<\/li>\n\n\n\n<li><strong>Beatrice<\/strong>, Leonato&#8217;s niece. As assertive, witty woman, self confident and not angry or bitter.  She engages in a &#8220;merry war&#8221; with Benedict, whom she appears to have known a long time. No father is mentioned; Leonato appears to be her protector. <\/li>\n\n\n\n<li><strong>Margaret<\/strong> and <strong>Ursula<\/strong> are two women in waiting to Hero. Margaret is some sort of attraction to one of Don Juan&#8217;s servants&#8230;<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Visiting_Soldiers_in_Messina\"><\/span>Visiting Soldiers in Messina<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Don Pedro, Prince<em> <\/em><\/strong>of Aragon, who has just come from a war, involving the rebellion of his brother <strong>Don Juan. <\/strong><\/li>\n\n\n\n<li><strong>Count Cladio<\/strong>, a young lord from Florence, and hero of the war<\/li>\n\n\n\n<li><strong>Signor Benedict<\/strong><em>,<\/em><strong> <\/strong>a soldier and best friend of Claudio. <\/li>\n\n\n\n<li><strong>Balthazar.<\/strong><\/li>\n\n\n\n<li><strong>Signor Antonio. <\/strong><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Don Juan.<\/strong> Don Pedro&#8217;s brother, who has been defeated, but is angry and wishes to get revenge.<\/li>\n\n\n\n<li><strong>Borrachio<\/strong> and <strong>Conrade<\/strong>, two followers of Don Juan who do his bidding. <\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Action_11_12_13\"><\/span>Action: 1.1, 1.2 &amp; 1.3<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Leonato learns of Don Pedro&#8217;s arrival, his victory in war, and that Claudio is a hero. <\/li>\n\n\n\n<li>Beatrice enquires as to whether Benedict has returned (referring to him as Montano, or up-thrust), and upon learning that he has, pokes fun at him, in the spirit of their &#8220;merry war.&#8221;<\/li>\n\n\n\n<li>Don Pedro meets Hero<\/li>\n\n\n\n<li><strong>Benedict and Beatrice engage in an exchange of insults.<\/strong> 1.1.110-142<br>(<em><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-bright-blue-color\">&#8220;I would my horse had the speed of your tongue&#8221;<\/mark><\/em>)<\/li>\n\n\n\n<li>Leonato has invided Don Pedro and his company to stay for at least a month<\/li>\n\n\n\n<li>Claudio is taken with Hero and wants to marry her; Benedict tires to disuade him, making humorus remarks about her (mentioning, in passing, the Beatrice is more beautiful by far), and warns about marriage and the prospect of being betrayed by women.<\/li>\n\n\n\n<li>Claudio and Don Pedro talk of Hero, and Don Pedro says he will support Claudio&#8217;s suit, and even woo her on Claudio&#8217;s behalf.  <em><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-bright-blue-color\">&#8220;What need the bridge much longer than the flood?&#8221; <\/mark><\/em>&#8212; Don Pedro, 1.1.311<\/li>\n\n\n\n<li><strong>1.2: <\/strong>   Leonanto hears a garbled account from his brother, namely that Don Pedro wishes to court Hero<\/li>\n\n\n\n<li><strong>1.3: <\/strong>   Don Juan learns the truth, that Don Pedro will woo Hero on Claudio&#8217;s behalf, and decides he will spoil it to get revenge. Borrachio and Conrade agree to help him.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Action_21_22_23\"><\/span>Action: 2.1, 2.2, 2.3<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Beatrice and Leonato banter about marriage<\/strong>; Leonato advises Hero to accept a proposal from Don Pedro, if there is one, and Beatrice advises Hero to do what she wishes.<\/li>\n\n\n\n<li>The masked revel begins, and Hero and the disguised Don Pedro dance and talk. Benedict flirts with Margaret, Hero&#8217;s Lady in Waiting. Urusula and Antonio flirt. <\/li>\n\n\n\n<li>The masked Benedict and Beatrice engage in repartee.<\/li>\n\n\n\n<li>The revel ends, and all exit except Don Juan, Borrachio and Claudio: Don Juan tells Claudio (believing he is Benedict), that Don Pedro loves Hero. Claudio is dismayed but accepts this: <br>&#8220;<mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-bright-blue-color\"><em>Friendship is constant in all other things \/ Save the office and affairs of love.&#8221;&#8211; 173-4<\/em><\/mark><\/li>\n\n\n\n<li>Benedict arrives and tells Claudio that Don Pedro has &#8216;got his Hero,&#8217; poking fun at him; Claudio leaves. <\/li>\n\n\n\n<li>The Prince, Leonato and Hero arrive. Benedict explains he has told Claudio that the Prince has won Hero; the Prince disabuses him of this notion. The Prince then tells him that Beatrice&#8217;s dance partner reported that she has a quarrel with Benedict; Benedict replies with a long speech about his grievances with Beatrice. <\/li>\n\n\n\n<li>Beatrice and Hero arrive, and they spar, and Benedict leaves. Don Pedro announces he has won Hero, and will give her to Don Pedro, who is overjoyed. Beatrice seems to say she will never be married; Don Pedro asks if she will have him, but she says no. <\/li>\n\n\n\n<li>Don Pedro declares he will cause Benedict and Beatrice to marry, and engages Leonato, Claudio and Hero to assist him. <\/li>\n\n\n\n<li><strong>2.2. <\/strong>   Don Juan is angry that Claudio will marry hero; Borrachio proposes to stop the marriage by making it appear the Hero is unfaithful.<\/li>\n\n\n\n<li><strong>2.3. <\/strong> Benedict has a soliliquoy where he regrets Claudios change of heart, but declares that he will not marry. Then, as Leonato, Don Pedro and Balthazar arrive, he hides in the arbor. Balthazar sings the song, about women having to accept men&#8217;s faithlessness. <\/li>\n\n\n\n<li><strong>2.3: The Gulling of Benedict.<\/strong> Then Leonato and Don Pedro and Claudio talk about Beatrice&#8217;s love for Benedict, and he begins to believe it. After this, Benedict has a soliliquoy where we see him changing his mind, persuading himself. Then Beatrice arrives and reluctantly summons Benedict to dinner, with her usual caustic wit. After she departs, Benedict finds he can read her words in a positive way, and decides he will pursue her.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Dogberry. <\/strong><\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Action_31_%E2%80%93_32\"><\/span>Action: 3.1 \u2013 3.2<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>3.1. The Gulling of Beatrice<\/strong>. Hero sends Margaret to tell Beatrice that they are talking about her, and Beatrice comes and eavesdrops: Hero and Ursula praise Benedict, and criticize Beatrice. The scene ends with Beatrice depending of her behavior (&#8220;<mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-bright-blue-color\"><em>Contempt farewell and maiden pride adieu \/ no glory lives behind the backs of such.<\/em><\/mark>&#8221; \u2013 Beatrice, 3.1.115-116) and convinced of Benedict&#8217;s love: &#8220;Benedict, love on!&#8221;<\/li>\n\n\n\n<li><strong>3.2. <\/strong>Don Pedro and Claudio and Leonato and Benedict are together, and Benedict hints (&#8220;I am not as I was&#8221;), and Claudio and Don Pedro diagnose that Benedict is in love. Leonato and Benedict exit to talk privately, and Don John appears and tells Don Pedro and Claudio that Hero is unfaithful and he will prove it..<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"The_Constabulary\"><\/span>The Constabulary<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Dogberry<\/strong>, the Constable. He is the chief, but is very odd, prone to misdirection and malapropisms and often behaving in the opposite way one would expect. <\/li>\n\n\n\n<li><strong>Verges<\/strong>, Dogberry&#8217;s assistant.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Acts_33_%E2%80%93_5\"><\/span>Acts 3.3 \u2013 5<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Dogberry and Verges enter, and appoint one of the watchmen chief. Dogberry gives them instructions, which are the opposite of what one would expect, basically to ignore people who won&#8217;t obey them. Dogberry urges that they keep a close watch on Leonato&#8217;s house, due to the impending marriage of Hero and Claudio. Then Borrachio and Comrade enter (not noticing the watchmen), and Borrachio drunkenly boasts of his trickery. The watchmen hear this, and seize both of them. <\/li>\n\n\n\n<li><strong>3.4.<\/strong> Hero and Ursula, dressing Hero for her marriage, are joined by Beatrice, who seems ill&#8230; and they tease her that she is in love. Others arrive to escort Hero et al to the wedding.<\/li>\n\n\n\n<li><strong>3.5. <\/strong>Dogberry and Verges try to tell Leonardo about what they discovered, but they are unintelligible, and Leonardo dismisses them. <\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Act_41_%E2%80%93_54_end\"><\/span>Act 4.1 \u2013 5.4 (end)<span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>4.1. Wedding\/Shaming of Hero<\/strong>. At the wedding Claudio et al denounce Hero and leave; Hero protests and finally faints. The Friar who was performing the wedding believes in Hero&#8217;s innocence based on closely watching her face as she was accused, and argues strongly for it. He convinces Leonardo (who did not believe Hero, and is still unsure) to say that she had died, believing it may remind Claudio of his love for her. Benedict suggests the Don Pedro and Claudio may have been misled, and that Don John is the likely culprit. Beatrice asks Benedict to kill Claudio; he first objects, but then consents.<\/li>\n\n\n\n<li><strong>4.2. Examination and proof of deception. <\/strong>Dogberry, Verges and the Sexton examine Borrachio and Conrade. The Sexton calls the watchman, who describes what Borrachio has done. It ends with Borrachio and Conrade calling Dogberry an ass, which clearly angers him. <\/li>\n\n\n\n<li><strong>5.1. The Challenge and Revelation<\/strong>. Leonato is raving with grief as his brother tries and fails to console him.  Leonato and his brother announce that Hero is dead, and quarrel with Don Pedro and Claudio. They try to challenge Claudio to a duel, but he will not accept. Then Benedict arrives and quarrels with them as well, and succeeds in challenging Claudio to a duel and then departs. Dogberry, the Sexton and the prisoners arrive, and their deception is explained, and it is revealed the Don John has fled. Claudio and Don Pedro are horrified: &#8220;<em><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-bright-blue-color\">Runs not this speech like iron through your blood?<\/mark><\/em>&#8221; Claudio begs Leonato&#8217;s forgiveness, and is told that as penance he is to marry his niece and heir &#8212; who is very much like Hero &#8212; tomorrow.  Borrachio also says Margaret is innocent. <\/li>\n\n\n\n<li><strong>5.2<\/strong> <strong>Hero&#8217;s innocence. <\/strong>Benedict tells Beatrice that he has challenged Claudio. They are summoned to Leanato&#8217;s with the news that Hero has been proven innocent.<\/li>\n\n\n\n<li><strong>5.3.<\/strong> <strong>Hero&#8217;s funeral. <\/strong>Claudio hangs a scroll on Hero&#8217;s tomb, and has a song sung for her.<\/li>\n\n\n\n<li><strong>5.4<\/strong>.<strong>The Wedding. <\/strong>Claudio appears to marry Leanatro&#8217;s niece, who is masked, and it is revealed that she is hero. Beatrice and Benedict also marry, but only out of pity for each other &#8212; though poems each has written reveal their love for one another. Claudio is forgiven by all.<\/li>\n<\/ul>\n\n\n\n<h1 class=\"wp-block-heading has-text-align-center\"><span class=\"ez-toc-section\" id=\"i\"><\/span> #  #   #<span class=\"ez-toc-section-end\"><\/span><\/h1>\n<p>Views: 24<\/p>","protected":false},"excerpt":{"rendered":"<p>October 2024 Reading as part of the Fall 2024 Shakespeare course &#8212; see general notes for more. Precis of Much Ado About Nothing Don Pedro&nbsp;and his cohort arrive at the residence of&nbsp;Leonato, governor of Messina, who has a daughter&nbsp;Hero&nbsp;and a niece,&nbsp;Beatrice. Beatrice, a witty and assertive woman has long been in a \u201cmerry war\u201d of &hellip; <a href=\"https:\/\/tomeri.org\/notes\/2024\/10\/03\/much-ado-about-nothing\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Much Ado about Nothing<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":5462,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":4,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"federated","footnotes":""},"categories":[36,47,92],"tags":[],"class_list":["post-4182","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-book-notes","category-fiction","category-shakespeare"],"_links":{"self":[{"href":"https:\/\/tomeri.org\/notes\/wp-json\/wp\/v2\/posts\/4182","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomeri.org\/notes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomeri.org\/notes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomeri.org\/notes\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomeri.org\/notes\/wp-json\/wp\/v2\/comments?post=4182"}],"version-history":[{"count":19,"href":"https:\/\/tomeri.org\/notes\/wp-json\/wp\/v2\/posts\/4182\/revisions"}],"predecessor-version":[{"id":4342,"href":"https:\/\/tomeri.org\/notes\/wp-json\/wp\/v2\/posts\/4182\/revisions\/4342"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomeri.org\/notes\/wp-json\/wp\/v2\/media\/5462"}],"wp:attachment":[{"href":"https:\/\/tomeri.org\/notes\/wp-json\/wp\/v2\/media?parent=4182"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomeri.org\/notes\/wp-json\/wp\/v2\/categories?post=4182"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomeri.org\/notes\/wp-json\/wp\/v2\/tags?post=4182"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}