Thursday 15 August 2019
Zen and the Art of Motorcycle Maintenance
I’m happy to have read it again. I’m surprised at how well it read a second time.
One thing that surprised me was how much I remembered. Not just the core ideas, or the revelation about who Phaedrus was, or the interplay between Chris and his father, but quite a few of the scenes. The descriptions of coming over a rise, and the landscape opening up.
I liked the interplay between the descriptions traveling through the landscape, and the conceptual work — the Chataqua — that was being done. It was not too tight, not lockstep, but every now and then there were correspondences that resonated. The transition from the midwest, where the landscape was ordered out of value, to the west, where the untidyness of the land reflected its loss of value. The high country with its clarity and deliniation, with the abstraction of ideas about quality. The parallel for riding upwards through the valley and coming to the source of the river, and the upward path to the root of the ideas.
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