Act 1: Cymbeline turns against Imogen and Posthumous; as does Iachimo; Queen plots.
Cymbeline, angry that Imogen has wed Posthumos, banishes Posthumos and imprisons Imogen. Posthumos, in Rome, encounters Iachimo who sets out to to prove Imogen unfaithful. Queen requests a poison from her doctor, who gives her a fake one.
An interesting one. The first part is a tragedy; the second transforms it into a comedy. There are a lot of loose ends that are, mostly, tied up in the penultimate scene, in a series of disclosures to Autolycus, offered for unclear reasons.
I find Autolycus are curious character — a villain who morphs into a trickster. Paulina is, in my view, the hero of the story, though it is disappointing that she is married off at the end after she declares she is going to morn for her dead husband. Apparently marrying everyone off is de rigueur for a comedy.
See course notes for general material about Macbeth.
I continue (post Othello) not to be terribly keen on the tragedies, but liked this more than Othello.
Precis of Macbeth
Macbeth encounters three witches who prophesy that he will become Thain of Cawdor and King of Scotland, and that Banquo’s descendants will be kings as well. Shortly thereafter Duncan appoints Macbeth as Thain of Cawdor, but announces that he will appoint his own son as crown prince. Macbeth is ambitious, and toys with the idea of murdering King Duncan. However, he has reservations – Duncan is his lord, a kinsman, and a guest in his household. However, Lady Macbeth – who appears to have summoned evil spirits to give her resolve – shames Macbeth into going forward with the plot. So Macbeth murders Duncan, and pins the murders on drunken watchmen (whom Lady Macbeth has used a potion to put to sleep), and then has them killed, and blames Duncan’s sons for the murder.
Macbeth is crowned, but becomes increasingly unstable (as does Lady Macbeth( and paranoid). He seeks out the witches, who warn him to be wary of MacDuff, but assure him that no man borne of woman can kill him, and the he will not be defeated until Birnam Wood moves to Dunsinane Hill. After this, Macbeth goes on a bit of a killing spree, arranging the murder of his friend Banquo (to eliminate his descendants the witches said would inherit the throne – except Banquo’s son escapes) and the family of the nobleman Macduff. Plagued by ominous visions—such as Banquo’s ghost appearing at a royal banquet—Macbeth’s grip on power loosens.
Meanwhile, Macduff and Duncan’s heir, Malcolm, raise an army in England and return to overthrow the usurper. Macbeth tries to avoid fighting Malcolm, but upon Malcolm’s pronouncement that he will take Macbeth captive and parade him about, Macbeth fights, and is slain and beheaded. Order and justice is restored.
Although its a famous play, and does indeed contain some striking things — particularly Iago’s manipulation of Othello, and also the use of the hankerchief as symbol of fidelity and betrayal – I was not that keen on this play. Give me some comedy, or at least a little more magic!
Precis of the play
Othello, a famous general fighting for Venice, has just married Desdemona, to the dismay of her father. Othello is black, and an outsider, and knows little of the customs or society of Venice – but he is valued due to his military prowess, especially as the Turks seem about to attack. He has chosen the polished and bookish Cassio as his lieutenant, much to the distress and anger of Iago, who has spent his life in the field and believes he has earned the postion. Iago decides to get revenge, and aims to destroy Cassio and Desdemona and, through her, Othello.
After this, the play unfolds in a straightforward way. Iago subtly raises questions about Desdemona’s faithfulness – all the while pretending that he is reluctant to speak and is unsure of the truth of what he is saying – and in a famous scene transforms Othello’s trust of Desdemona into suspicion, suggesting that she is having an affair with Cassio. Iago is one of Shakespeare’s most famous villians – Coleridge referred to him as having “motiveless malignity.”
Othello wants visible proof, and here Desdemona’s hankerchief comes into play. It was her first gift from Othello, and it was woven by a fortune teller with magical properties. Iago secrets Desdemona’s hankerchief (which she had lost and Emilia found and given to Iago) in Cassio’s quarters. Cassio finds the hankerchief and gives it to the courtesian Bianca to copy – Othello watches this from a distance, and believes it proof of Desdemona’s infidelity. Othello orders Iago to kill Cassio, and Othello strangles Desdemona. When it is revealed that Desdemona was innocent, Othello kills himself.
Background: Henry V is son of Henry IV, who obtained the throne by usurping it from Richard II – this means that there is some feeling that neither Henry is a legitimate ruler. Before becoming King, Henry V was a wild youth, dissipated and engaged in lascivious acts. But on his father’s death, Henry becomes a serious and mature ruler.
The play opens with a chorus praising Henry as an unmatched warrior King. But then, the next act depicts the Archbishop of Canterbery revealing his plan to avert a harsh tax on the Church by legitimizing and encouraging Henry’s plans to invade France and take its throne.
Act 2 begins with the chorus describing the desire of the young men of England to pursue honor by participating in this war. The first scene following this shows conversation – and almost a fight, between three old soldiers who are erstwhile companions of Henry – the depicts honor as the least of their concerns. The second scene of Act shows the unmasking of traitors among the Lords who support Henry.
Act III. The war has begun. The English army, led by Henry, lays siege to the French town of Harfleur. Before the gates, Henry delivers a rousing speech (“Once more unto the breach…”) to rally his soldiers; the siege takes a heavy toll, and the town eventually surrenders.
In Act IV, Henry has arrived at Agincourt; his army is weary and outnumbered. Henry, in disguise, walks among his soldiers at night, listening to their fears and doubts. In the morning, Henry delivers his famous St. Crispin’s Day speech, which lifts the English spirits.
In Act V, the battle of Agincourt is won by the English. Henry returns to England, where the victory is celebrated, and then to France, to negotiate the final terms of the peace. There he woos a reluctant Princess Katherine, which marriage will solidify his claim to the thrown. The play ends with a reminder that Henry will die, and things will unravel.
Structure of the Play
1. Invasion Groundwork
Prologue: Chorus wishes for a greater stage, and tells audience to use its imagination.
1.1 Theological Justification Bishops of Canterbury and Ely discuss bill that will seize money from the search; they plan to avoid it by providing a theological justification for Henry V’s claim to France, and thus his invasion. They also mention how much Henry V has changed since his father’s death: “And so the Prince obscured his contemplation / Under the veil of wildness / which, no doubt, grew like the summer grass, fastest by night / Unseen yet crescive in his facility”
1.2: Bishops assure H of invasion’s morality; tennis ball mock Henry V invites the Bishops to give an explication of the law regarding his claims to France, and they do so, even as Henry repeatedly asks them to be honest about it. Henry also raises the possibility of Scotland invading should he go to France, but the Bishops argue that that can be defended against. Finally, after deciding that he will take control of France, by invasion if necessary, he invites in the French ambassadors, who, in a message from the Dauphin, present him with a barrel of tennis balls. Henry says he will play play a set in France, and will “strike his father’s crown into the hazard.” Exter, uncle to the King, is present and speaks a line or two.
2. Preparations for War
Elimination of traitors; introduction of common solidiers; preparation by France
Chorus: The chorus describes the excitement in England about the coming war – They sell the pasture now to buy the horse – and provide notice that three nobles – Cambridge, Scroop, and Grey –have become traitors.
Bardolph, Henry’s former tavern companion, prevents two solidiers – Nym and Pistol – from fighting over Hostess Quickly, Pistol’s wife, and requires them to become friends. They are interrupted by news that Falstaff is dying.
Cambridge, Scroop, and Grey are brought into Henry V’s presence, not realizing that he knows they are traitors, and are asked about whether Henry should show mercy to someone who has spoken against it. They say no, and override Henry’s wishes to show clemency. He the reveals that he knows of their betrayals, and they are all condemned to death.
Falstaff has died. Bardolph, Nym, Pistol and Hostess Quickly morn his death. The three men prepare to depart for France, and Pistol bids Hostess Quickly goodbye.
The King of France and the Dauphin plan for the defense of France against Henry – the King is cautious, the Dauphin is not, being contemptuous of Henry, and ignoring warnings about Henry’s new ethos. Exter enters as ambassador, and asks the King of France to yield to Henry, and returns insults to the Dauphin. The King says he will answer in the morning: “A night is but small breath and little pause / To answer matters of this consequence.”
3. Invasion, part 1: Success as Harlefor surrenders
Initial success: Harlefor surrenders; commoners show cowardance; 5:1 odds
Chorus: Describes the departure of the English navy: … Play with your fancies and in them behold, Upon the hempen tackle, shipboys climbing. Hear the shrill whistle, which doth order give To sounds confused. Behold the threaden sails, Borne with th’ invisible and creeping wind, Draw the huge bottoms through the furrowed sea Breasting the lofty surge. O, do but think You stand upon the rivage and behold A city on th’ inconstant billows dancing… and notes that the French King offered the hand of his daughter and some small unprofitable dukedoms – this offer is disregarded (and is reported only after the navy is described as being launched).
The invasion begins: “Once more into the breach, dear friends, once more / Or close the wall up with our English dead.” Henry makes a speech as the prepare to advance.
The three soldiers show their cowardence in trying to withdraw from the assault – they are driven back to it by Captain Fluellen. Captain Fluellen then engages in discussions and disputations with three other Captains: Glower, Jamy, Macmorris. [Not quite sure of the point of this scene]
Henry gives a speech before the gates of Harlefor, saying it is their last chance, and that they will be to blame if they do not surrender and the city is ravaged:
I will not leave the half-achieved Harfleur Till in her ashes she lie buried. The gates of mercy shall be all shut up, And the fleshed soldier, rough and hard of heart In liberty of bloody hand, shall range With conscience wide as hell, mowing like grass Your fresh fair virgins and your flow’ring infant What is it then to me if impious war, Arrayed in flames like to the prince of fiends, Do with his smirched complexion all fell feats Unlinked to waste and desolation?
Katherine, Princess of France, has one of her maids teach her English. [The scene appears to be presented in French – would the audience have understood???]
The governor surrenders the town, and Henry spares its citizens. [Neither of these things happened in history.]
The French nobles are embarrassed by Henry’s successful invasion. But they convince themselves they will triumph, and send an ambassador to ask what ransom Henry will offer when he is captured.
Ancient Pistol has distinguished himself and pleads with Captain Fluellen for the life of Bardoph, who has been sentenced to death for stealing. His plea is rejected, and he departs with a curse. Captain Fluellen talks with Henry, and mentions Bardolph, whose execution Henry upholds. The French Ambassador, Mountjoy arrives to enquire about Henry’s ransom: Henry says ‘nothing but my body.’
The French nobles, confident of their victory on the eve of the battle, boast and banter among themselves.
4. Invasion, part 2: Triumph at Agincourt
Eve of battle; Henry & Williams & Fluellen; Pistol demands ransom; triumph at Agincourt
The Chorus draws a beautiful picture of the two armies the night before the battle, camped across from one another, awaiting the morning. The French confident, the English anxious… but with Henry moving among them to raise morale. Now entertain conjecture of a time When creeping murmur and the poring dark Fills the wide vessel of the universe From camp to camp, through the foul womb of night, The hum of either army stilly sounds, That the fixed sentinels almost receive The secret whispers of each other’s watch. Fire answers fire, and through their paly flames Each battle sees the other’s umbered face
Henry walks though his camp, in disguise. He encounters Pistol, overhears a conversation between Grover and Fluellen that leaves him impressed with the Welshman’s quality, and argues with a soldier – Williams – about the King’s responsibility for the spiritual fate of his solidiers – they exchange gloves with the intention of dueling later. Last, Henry laments his father’s usurpation of Richard II’s throne.
The French nobles, about to fight, lament that the English are so few and weak.
Henry gives a speech of encouragement again. Responding to someone wishing for more men, Henry says he does not wish for more, and furthermore that those who do not wish to figtht will be furnished with passage home. ‘I do not wish to share the honor more than I have to,’ is his sentiment.
The ambassador, Mountjoy, comes again to negotiate a ransom, which Henry refuses.
A French soldier surrenders to Pistol, who threatens to kill him unless he provides a ransom.
The French nobles recognize that they have been defeated, and, ashamed, vow that they will die in battle.
Henry hears of the deaths of York and Suffolk; unsure of whether he had victory, when he hears a French call to arms he orders all French prisoners killed.
Fluellen in conversation with Grover compare Henry to Alexander the Great. Montjoy arrives with the French surrender. Williams appears with the glove, which Henry does not acknowledge; but Henry give Fluellen the other glove and sends him after Williams, and then sends others after Fluellen to prevent a full fight.
William encounters Fluellen, and strikes him. The other men arrive and prevent an escalation. Henry arrives and explains what happens and ‘pardons’ Williams, and has his glove filled with crowns. [I’m not quite sure of what happens after this, especially between Williams and Fluellen—Fluellen seems to do an about face and now thinks well of Williams.] The scene ends with the numbers of the dead being announced, and Henry giving credit for the victory to god.
5. Treaty signed, and marriage
Treaty signed and Princess Kate agrees to marry Henry; Fluellen gets revenge
Chorus: Brings Henry back to England where he and his victory are celebrated, and then back to France where the treaty recognizing Henry as sovereign will be signed.
Fluellen, via use of a cudgel, forces Pistol to eat a leek to avenge his insults; Pistol decides to return to England where he will wear his cudgel wounds to pretend to be a wounded soldier.
Henry and the King of France meet, and Henry delegates negotiation to his nobles while he woos Princess Katherine – she consents to marrying him, but without, it seems to me, much understanding or enthusiasm. Henry rides roughshod over her preference not to kiss before the wedding: “O Kate, nice customs curtsy to great Kings.”
A few notes
Throughout the play we see that Henry has separated himself from his old base companions: Falstaff dies (and was previously exiled); Henry allows Barloph to be hanged for stealing; the Bishops remark on how Henry has changed.
Deception: Not much. Henry goes in disguise among his troops. Henry incident with William. Henry does not tell Fluellen what is up when he sends him after William. Henry uses lots of flowery words which it is unlikely Princess Kate will understand.
??? Is Henrys order to kill the prisoners proper?
??? Does Henry really think the war is just?
??? Henry says that if they do not surrender, governor will be responsible for soldiers’ depredations.
Quotes I like
Now entertain conjecture of a time When creeping murmur and the poring dark Fills the wide vessel of the universe. From camp to camp, through the foul womb of night, The hum of either army stilly sounds, That the fixed sentinels almost receive The secret whispers of each other’s watch. Fire answers fire, and through their paly flames Each battle sees the other’s umbered face;
I will not leave the half-achieved Harfleur Till in her ashes she lie buried. The gates of mercy shall be all shut up, And the fleshed soldier, rough and hard of heart In liberty of bloody hand, shall range With conscience wide as hell, mowing like grass: Your fresh fair virgins and your flow’ring infant What is it then to me if impious war, Arrayed in flames like to the prince of fiends, Do with his smirched complexion all fell feats Enlinked to waste and desolation?
Play with your fancies and in them behold, Upon the hempen tackle, shipboys climbing. Hear the shrill whistle, which doth order give To sounds confused. Behold the threaden sails, Borne with th’ invisible and creeping wind, Draw the huge bottoms through the furrowes Breasting the lofty surge. O, do but think You stand upon the rivage and behold A city on th’ inconstant billows dancing…
The Duke of Vienna (aka Friar Lodowick) plans to travel abroad, leaving young Angelo as regent, empowered to enforce laws that the Duke has allowed to go fallow. However, the Duke really plans to remain in Vienna, disguised as a Friar, to see how Angelo carries out his duties. Angelo immediately shuts down many of the houses of prostitution, and condemns Claudio, a man who has only erred in having sex after handfasting but before the banns were read, to be executed. This seems extreme and disturbs many: Escalus, a judge; the Provost, who runs the jail; and Lucio, a friend of Claudio and ne’r do well Viennese noble. Lucio seeks out Isabella, Claudio’s sister, who is in the process of joining a convent, to persuade Angelo to be merciful, after protests by Escalus and the Provost fail. Angelo speaks with Isabella, steadfastly refusing, until she asks him to look into his heart and see if has not had similar feelings that led Claudio to his current straits. Angelo wavers, and tells her to return tomorrow. In a soliloquy he reveals that is attracted to her virtue, and wishes to have sex with her. In a second interview he tells her he’ll free Claudio if she’ll sleep with him. She refuses, and he tells her if she does not relent he’ll torture Claudio to death.
This is not being read as part of the Shakespeare course; there is a week’s break for midterms, and, as CT and I are discussing S’s plays as I read them for the course, we are adding in the Tempest for this playless week.
That said, here is a link to the Shakespeare course notes: general notes
Precis of The Tempest
Before the play: Duke Prospero deposed, with young Miranda cast adrift, but Gonzalo secreted food, water and books as gifts. Now magician-ruler of the isle, he’s bound Ariel,enslaved Caliban, and his magically-raised storm has brought his enemies to him. They are Sebastian, his usurping brother; King Alonso, who went along, and Antonio who has learnt sibling-treachery from Sebastian. Innocents too, are also present: Prince Ferdinand, Alonso’s son, and old Gonzales, faithful one.
The play itself: the travelers are cast separately, each group to take a journey. Ferdinand will Miranda woo; Caliban will revolt, but rue; Alonso’s overthrow is thwarted. Prospero has a change of heart, forgives those arrayed against him, All return, but Caliban, to rule Naples and Milan.
I’m taking an introductory Shakespeare course at the U of Minnesota this fall.
Week 1: Intro & Life of Shakespeare, 1
The course looks very promising. The professor, Katherine Schiel, is a Shakespeare scholar and in particular researchers the life of Shakespeare’s wife. The course focuses on literature (rather than TV and move adaptations), and the syllabus shows that we will cover eight of Shakespeare’s works, including the sonnets. I was also struck by how much more talkative and friendly the other students in the course are – both in engaging in in-class discussion, and in engaging with me.
These are more general notes; I also notes on each play read that can be found from the “About this site” page.
Don Pedro and his cohort arrive at the residence of Leonato, governor of Messina, who has a daughter Hero and a niece, Beatrice. Beatrice, a witty and assertive woman has long been in a “merry war” of words with returning soldier Signor Benedict. Don Pedro decides to play match maker and deceives them both, leading each to think the other is in love with them, and so Beatrice is matched with the marriage-shy Benedict. At the same time, her cousin, Hero, is on course to wed Count Claudio, hero of the recent war, until she is framed by the villainous Don John, brother to Don Pedro. Don John’s ruse succeeds for some, pitting Beatrice and Benedict against Count Claudio, Leonato and others, until Dogberry, a crazy constable, exposes the deception carried out by John’s henchmen, Borrachio and Conrade, and everyone is reconciled and married.
Theseus, ruler of Athens, is to marry Hippolyta, conquered Amazon Queen, in four days. Two men, Demetrius and Lysander, are interested in Hermia; Hermia is promised to Demetrius, but is in love with Lysander. Helena, her friend from childhood, is in love with Demetrius, but he spurns her. Oberon and Titania, King and Queen of the Faeries, are amidst a long quarrel over an Indian boy. Oberon engages the Puck, Robin Goodfellow, to enchant Titania, and while he’s at it, tells puck to enchant Demetrius so that he will love Helena. Puck enchants the wrong person, Lysander, and then the right person, Demetrius, so that they are now both in pursuit of Helena, much to Hermia’s distress. Helena believes neither Lysander nor Demetrius, nor Hermia when she says she believes its true. Eventually Puck releases Lysander from the enchantment, and the marriage matches are now aligned.
Throughout the play, some humble townsfolk have been preparing a play for Theseus and Hippolyta’s marriage, interrupted only by Puck enchanting Bottom, the chief player, by turning his head to that of an ass. After Puck releases Bottom, the play is performed, and it is so bad that it amuses the wedding party. Puck concludes with a speech about creativity and airy nothings.
All that follows is a play within a play, put on for Christopher Sly, a drunken beggar ejected from a tavern and berated by the barmaid. A Lord returning from the hunt has the unconscious Sly installed in a Lord’s bed and, when he is awakened, tricked into believing he is a Lord who has been insane for a decade. For his entertainment, traveling players put on a play for him: The play: Baptista will not allow Bianca, his desirable daughter, to marry until her shrewish sister Kate is wed. Bianco has three suitors, Gremio a rich old man, and Hortensio; but then Luciento, a younger man arrives, and falls in love with Banca as well. All three, through various deceptions, attempt to court Bianca. In the meantime, Petruccio, friend of Luciento, arrives and court’s Kate; he is interested only in Kate’s dowery, arranges for a marriage, and then ‘tames’ Kate via gaslighting, sleep deprivation and starvation. In the meantime, Luciento has won Bianca, Hortensio has found a wealthy widow, and Gremio has disappeared. There is a double wedding, and at the feast, after others’ make fun of Petruccio, he challenges them to a contest to see whose wife is most obedient: Kate comes when called; Bianca and the Widow do not, until Kate goes to fetch them. The moral is…