Shakespeare course, Fall 2024

I’m taking an introductory Shakespeare course at the U of Minnesota this fall.

Week 1: Intro & Life of Shakespeare, 1

The course looks very promising. The professor, Katherine Schiel, is a Shakespeare scholar and in particular researchers the life of Shakespeare’s wife. The course focuses on literature (rather than TV and move adaptations), and the syllabus shows that we will cover eight of Shakespeare’s works, including the sonnets. I was also struck by how much more talkative and friendly the other students in the course are – both in engaging in in-class discussion, and in engaging with me.

These are more general notes; I also notes on each play read that can be found from the “About this site” page.

A Midsummer Night’s Dream

September 2024

Reading as part of the Fall 2024 Shakespeare course — see general notes for more.

Precis of A Midsummer Night’s Dream

Theseus, ruler of Athens, is to marry Hippolyta, conquered Amazon Queen, in four days. Two men, Demetrius and Lysander, are interested in Hermia; Hermia is promised to Demetrius, but is in love with Lysander. Helena, her friend from childhood, is in love with Demetrius, but he spurns her. Oberon and Titania, King and Queen of the Faeries, are amidst a long quarrel over an Indian boy. Oberon engages the Puck, Robin Goodfellow, to enchant Titania, and while he’s at it, tells puck to enchant Demetrius so that he will love Helena. Puck enchants the wrong person, Lysander, and then the right person, Demetrius, so that they are now both in pursuit of Helena, much to Hermia’s distress. Helena believes neither Lysander nor Demetrius, nor Hermia when she says she believes its true. Eventually Puck releases Lysander from the enchantment, and the marriage matches are now aligned.

Throughout the play, some humble townsfolk have been preparing a play for Theseus and Hippolyta’s marriage, interrupted only by Puck enchanting Bottom, the chief player, by turning his head to that of an ass. After Puck releases Bottom, the play is performed, and it is so bad that it amuses the wedding party. Puck concludes with a speech about creativity and airy nothings.

The Light Eaters…, Zoë Schlanger

These are notes on “The Light Eaters: How the Unseen World of Plant Intelligence Offers a New Understanding of Life on Earth“, by Zoë Schlanger. I’m reading this with Rachel.

Reflections on “Glaciology,” by Lia Purpura

6 June 2024

Kate C, after reading my latest essay, directed me to this essay.

It is a lovely piece for writing, and on I can learn from. Looking more closely, I see this essay won the Pushcart Prize. You can find it here: https://agnionline.bu.edu/essay/glaciology And there is more by her — at least in the same place this was published — that you can find at https://agnionline.bu.edu/about/our-people/authors/lia-purpura/

It was as if after the big event of snowfall we’d forgotten there was more, still, to be said. A cache of loose details below to attend. A trove poised. A stealth gathering.

Deposition below the singular-seeming white cover.
—Lia Purpura, Glaciology

Thoughts on “Of Fragments and Segments” by Heidi Czerwiec

I was ambivalent about this piece. It made me think, but much of the discussion seemed toassume that very personal metaphoric uses of terms like “fragment” and “segment” had some kind of inter-personal validity, …which I doubt they had. But still, it was interesting to think about how (or whether) you break an essay into pieces, and what sort of work that separation does.

Here is the original essay: https://hippocampusmagazine.com/2022/04/craft-of-fragments-and-segments-by-heidi-czerwiec/

Some thoughts:

Fragments are natural and respect the object; segmentation/cutting imposes an external / artificial agenda.
First, the reading of “fragment” as “to break” seems etymologically valid, but the notion that breaking (in fragments) is somehow more violent the cutting (as in segment) is, at least on a physical level, dubious.
When things break – think about minerals, but it can apply to any material object – they break in accordance with their structures. Often this is because material objects have an intrinsic structure, that includes planes of ‘weakness’ along which they will fracture. When a material object “breaks,” it breaks in the most ‘efficient’ way — it uses the minimal energy to break, and, when it breaks, it is releasing tension that is distorting the structure of the object. In contrast, cutting ignores internal structure, and imposes an external agenda on what is being done. Breaking is true to the structure of the object being broken; cutting ignores that structure, although in some cases, surgery for example, the surgeon may take that into account.
It feels to me like much of the essay is wallowing in metaphor, or at least treating personal metaphors as though they have some kind of agreed-upon interpersonal validity. I’m not convinced that authors who talk about segmentation really have distinct meanings in mind relative to those who talk about fragmentation.
The final paragraph seems on the mark to me, but I’m not sure it really follows from the previous material:

It appears that the more white space – the less “whole” the text appears, the more fragmented, the more visible the breakage – the more charged that space becomes for the reader. That also means more work on the part of the reader. Ultimately, it doesn’t seem to matter whether the reader considers the pieces segments or fragments.

The crux of the issue: To me, the crux of the issue is ‘what work does the white space do?’
- Help the reader understand the temporal and topical structure of the text, understanding that the white space is parsing the essay into chunks of some sort?
- Give the reader time – a beat or two – to assimilate what has been said
- Signal the reader that it is time to pause and draw meaning from what has been said – that if the dots have not been connected it is now the reader’s turn?
- Save the author from having to craft an explicit transition from one fragment to the next?
Interpretation of Fragments. Mosaics, and collages, and cubist and pointillistic paintings, work because the individual elements can be perceived as wholes, and simultaneously apprehended in parallel to form a larger pattern. Segments of text don’t work this way – interpretation is serial and plays out over cognitively meaningful lengths of time… Re-membering, and re-calling are important, as is the author’s provision of signposts that will help the reader…

# # #

LS: A Wilder Time,* William E. Glassley

*A Wilder Time: Notes from a Geologist at the Edge of the Greenland Ice. William E. Grassley, 2018.

A lyrical book that provides an account of a geologic expedition to gather evidence for a 1.8 Ga collision between continents that resulted in a series of shear zones in western Greenland. Also important for providing evidence that plate tectonics has been going on for a long time, something that has been contested. Content is quite interesting, but I also appreciate it for its lyrical writing about landscape and geology, which is this focus of my “LS” project.

March Danceness: Notes on an Essay Contest

March 2024

Today I went to the “March Danceness” web site to check out the context for Kate C’s essay. I found the essays quite interesting and, as they are all supposed to be about ‘dance music’ from the ’00’s, I also enjoyed them as a window into a musical era and genre of which I was unaware. It also attracted a certain demographic, and I find it both interesting and a little amusing to hear those in their 30’s and 40’s lamenting their ages.

The contest is modeled on the metaphor of a sports playoff, where a large set of candidates pair up, are voted on, and then the winners pair up again… I am a week late to the party, but at least today I read all the essays for March 8, and voted on entrants. What follows are my notes for each day, though I think it unlikely that I will keep this up throughout the month.

Reflections on Nine Drafts of an Essay

7 March 2024

This evening I had a productive discussion about the process of developing an essay. I was allowed to look through a series of drafts the led to a just-published essay, and discuss the author’s process with the author. Although different people obviously have different processes, it was a great exercise.

LS: Land Above the Trees: A Guide to American Alpine Tundra, Ann Zwinger & Beatrice E. Willard

February 2024…

This book was recommended in Kim Stanley Robinson’s The High Sierra: A Love Story, as a good guide to the ecology and botany of the Sierra Nevada (and the upper portions of other North American ranges). And, indeed, it is beautifully written with a narrative style in which the reader moves through landscapes with the authors, looking at this and that, in contrast to what I had expected would be more of a catalog or encyclopedic approach. The book is divided into two principle parts: part 1 examines elements of ‘above the trees’ ecosystems, like fellfields or krumholtz; part 2 looks at particular North American tundra ecosystems, with one chapter being on the Sierra Nevada.

LS* – Finding the Forest, Peter Bundy

December 2023

* This is part of a small project of reading essays that focus on landscape and natural history, the idea being to familiarize myself with this genre, and to develop a better sense of what I like and do not like.

This is a short book about the author’s journey into forestry. I’m ambivalent about it. The first part of the book focuses on his own story, which I don’t find particularly interesting or inspiring. I also have to say that the writing is a bit precious – he is fond of invoking Mother Nature, and personifying the forest; he also tries to be lyrical in what seems to me a clumsy and prosaic way. However, once he becomes established in his career as a forester, I find the book more worthwhile: it is a good survey of the today’s thinking in forestry, about both its past shortcomings and its current approaches. But the combination of preachiness, romanticism and clumsy attempts at lyricism will keep me from recommending it to others.

LS* – A Walk in the Woods, Bill Bryson

November 2023

* This is part of a small project of reading essays that focus on landscape and natural history, the idea being to familiarize myself with this genre, and develop a better sense of what I like and do not like.

While, overall, it was an enjoyable read that managed to keep my interest, I was not that keen on it. It is an example of what I am expecting is a subgenre of writing where the author sets out on an ‘adventure’ with little or no preparation (and often with an even less prepared companion), and then recounts his misadventures. Amusing, but to someone who believes research and preparation, a bit difficult to engage with.

Bryson is, in fact, a good writer, and when he actually turned his eye on the environment around him managed to craft some nice phrases. The phrases I tended to like often fell into a few rhetorical categories.

LS* – Writing Landscape, Linda Cracknell

December 2023

Writing Landscape: Taking Note, Making Notes, Linda Cracknell, 2023

This is a small book of essays, both in form (easy to tuck into a pocket), and length. The essays follow a pattern: the author sets out on a journey — either to camp out for a few days, or to attend some kind of writers’ retreat or workshop – and reflects on the place where she finds herself. Her focus is on nature, and occasionally on the history or people associated with the place; she occasionally discusses brief encounters with people, but we learn nothing of her friends or companions.

Writing Notes: Essay Status as of October 2023

23 December 2023. (was: 19 October 2023)

Notes on where I think the various essays I’ve produced are. This is unlikely to be of interest to others.

Status of Essays

1. Napkin Thief. Unsure. It is a fun story, but not much substance. Not sure what to do.
2+6 A Straight Transect. Nearly done.
3. Mind in the Hand. Final.
4. Body and Mind. Mostly done. Replace lime tree section with exercise at home — retitle as PT. –> I am partway through replacing the lime tree section, but the new section seems a bit boring.
5. Aloha. Unsure. It is a fun story, but not much substance. Not sure what to do.
7. Why I like Hiking. Mostly done. Alter ‘crystal rain’ section. Bring in more Muir
8. Alone Together.

w/KC: Four Essays by E. B. White* [The Planet]

September 2023

From “The Planet” section of the book “Essays of E. B. White.” Reading with KC, Fall 2023.

Part III: The Planet

Letter from the East (1975)

Reads, in fact, like a long letter to a friend or family member. Moves across a variety of topics: seeds and seed catalogs; a local wedding; mining; local aquaculture; the energy crisis and nuclear and tidal energy. It has a lot of nice turns of phrase:

w/CS: Islands of Abandonment: Nature Rebounding in the Post-human Landscape, by Cal Flyn

September 2023

Islands of Abandonment: Nature Rebounding in the Post-human Landscape, by Cal Flynn, 2021.* This book looks at how nature — fungi, plants, animals – are re-colonize landscapes that have been destroyed and abandoned by humans. Examples include massive slag piles, nuclear test grounds, etc. It examines both how primary succession occurs in unpromising circumstances, and how the absence of human presence facilitates re-wilding. In the introduction, the author notes that we are now in the midst of a vast self-directed experiment in re-wilding, driven in part by the concentration of people in cities (and a soon-to-be-decreasing population), and in part by the depletion of non-sustainable natural resources that leave ‘waste lands’ behind.

Post-reading comment: There are three or four chapters in the book that are great, and really align with the aims laid out above. Unfortunately, more of the chapters, particularly as one progresses in the book, are more in the line of what I would call disaster tourism: lyrical descriptions of degraded environments and terrible situations, with little or no mention of how the ecosystem has adapted or not.

* Reading with CJS, fall of 2023

w/KC: The Immense Journey, Loren Eisley

May 2023; July 2023

Essays by Loren Eisley, first published in 1946. Although an independent book, I am reading these essays (with KC) in a two-volume edition of his complete works, so the page numbers in the quotes may not align with Immense Journey.

So far, I have enjoyed all the essays. While I would say “The Snout” is my favorite, I think “The Flow of the River,” is the one I’d most recommend to others… and it may well turn out to be my favorite. At this point I’m only about six essays into the book,

BG: A Book of Essays by David Foster Wallace

30 May 2023

The book is titled A Supposedly Fun Thing I’ll Never Do Again: Essays and Arguments, 1997; I read it with my book group.

Favorites are *’d

* Derivative Sport in Tornado Alley

Harpers, 1990 — 3

A nice essay. A lot of good bits of description and nice turns of phrase. Discusses Foster’s ‘career’ as a ‘near-great’ high school tennis player, something which he made interesting to me in spite of the topic. I thought the beginning was brilliant, making a connection between the midwestern landscape and geometry, which is then further pursued in tennis. Here’s a sample from the beginning:

College math evokes and catharts a Midwesterner’s sickness for home. I’d grown up inside vectors, lines and lines athwart lines, grids – and, on the scale of horizons, broad curving lines of geographic force, the weird topographical drain-swirl of a whole lot of ice-ironed land that sits and spins atop plates. The area behind and below these broad curves at the seam of land and sky I could plot by eye way before I came to know infinitesimals as easements, an integral as schema. Math at a hilly Eastern school was like waking up; it dismantled memory and put it in light. Calculus was, quite literally, child’s play.
—David Foster Wallace, Derivative Sport in Tornado Alley, 3

w/KC: Three Essays [Florida] by E. B. White

May, 2023

From the book “Essays of E. B. White.“

Part IV: Florida

I wonder a bit about the connection between E. B. White and Florida. His three essays — that span three decades – seem to me to paint it as a depressing and morally derelict place. Yet here he is, and here he stays…

On a Florida Key

This essay did not thrill me, but it did one thing of note. It began with about two pages of description of the rented cabana in which White and his wife were staying. While it did sketch a good picture of the place — how could it help it after piling detail on detail on detail — I rapidly became restless and hoped that it would add up to something. But it really didn’t, not even at the end of the essay.

The bit I liked was anchored by this:

In the kitchen cabinet is a bag of oranges for morning juice. Each orange is stamped “Color Added.” The dyeing of an orange, to make it orange, is man’s most impudent gesture to date. It is really an appalling piece of effrontery, carrying the clear implica-ton that Nature doesn’t know what she is up to.
E. B. White, A Florida Key (in Essays of E. B. White, p 173

EP #5*: Favorites from the Golden Age of the Am. Essay** 1945-1970

2023

Favorites:
An Evening with Jackie Kennedy, Norman Mailer
Writing about Jews, Philip Roth
The Paranoid Style in American Politics, Richard Hofstadter
The Twenty-ninth Republican Convention, Gore Vidal
One Night’s Dying, Loren Eisley

Writing Exercises, 1 (From OBE)

I am trying to focus more on applying what I notice in reading essays to my own writing. Here are a set of prospective exercises I’ve generated after re-reading selections from the Oxford Book of Essays with KC :

Superposition. Providing differing points of view on the same thing/event/space to convey uncertainty/ambiguity. [cf. The Haunted Mind, Note 3, offers alternate PoVs: Is the sound of the bell from the dream or the world? Is the author is in the space of the dream or are the dream figments in the bedroom?]
Minor Key Interlude. A description of a train of thought, or conversation, that in response to some happenstance moves into a minor – dark, distressing, depressing – mode, and then, through more happenstance or perhaps intentional effort, moves back out of it. Attend to the inflection points. [cf. The Haunted Mind, Note s 6 & 7, where hypnagogic turn dark when being swaddled in bedclothes evokes a corpse in a shroud, and then attention to everyday objects serves to vitiate that line of thought].
Animated Trajectory through Three-space. Convey the sensation of a 3D environment by allusions to its structure; by agents moving through it; by objects falling and bouncing; by sound. [cf. The Acorn-Gatherer, Note 2, on the rooks moving about in the tree].
Persuasion via vivid description and inserting oneself into the scene. Vividness, particularity and layering of detail makes a description more convincing, and then with the describer injects themselves into the scene as describes themselves in the act of seeing and feeling. [cf. The Clergyman (Beerbohm)]
Zoom in from Safe Distant Anonymity to Too-Close Intimate Proximity. Zoom in on people interacting. Begin with a comfortable distant overview (e.g. momentary distant glimpses), and then zoom in to show the fine-structure of intimate and not-entirely-easy interaction, whether wanted or not (e.g. continuous up-close eye-contact). (cf. Insouciance.)