EP #17: When I was a Child…, Marilynne Robinson

When I was a Child I Read Books, Marilynne Robinson, 2012. This is book in the Essay Project, a series of reading I am doing with CT. It marks a return to literary essays after an epistolary detour into the letters of Olive Sacks, and only a temporary return as we have plans to finish the rest of Sacks’ work…

My Thoughts on the Book — TBD

I must say, having just read the Preface and the first essay, I am beginning with a rather unfavorable impression. However, I will hope that her initial writing, which seems to me to quite polemical, will give way to more measured and approachable topics.

Nice Phrases

  • Say we are a warm puff of breath in a very cold universe. By this reckoning we are either immeasurably insignificant or incalculably precious and interesting. p. 36
  • It [ideology] is a straight-edge ruler in a fractal universe. p. 49.
  • It was also Mrs. Bloomsburg who trudged us through Cicero’s vast sentences, clause de pending from clause, the whole cantilevered with subjunctives and weighted with a culminating irony. p. 87
  • I remember kneeling by a creek that spilled and pooled among rocks and fallen trees with the unspeakably tender growth of small trees already sprouting from their backs… p. 88

Preface

In the preface, Robinson reflects on America and democracy, and offers a rather dispirited mediation on how things are going. She wrote this in 2012, and I can only imagine that she is far more disconsolate.

Robinson begins with a long quote from Whitman (circa 1870) about the greatness of America and Democracy, and about his worry that “savage, wolfish parties” acting from within will degrade the spirit and ideals of democracy. Robinson, writing in 2012, seems to find these concerns truer than ever, and comments on the decrease in tolerance for multiple viewpoints. “We have seen bad times and we will see more of them,” she laments. Well, that certainly seems apposite today.

Clearly, Whitman’s concerns were not realized, or are only being realized very, very slowly. Robinson admits the US has experienced a healthy and stable dynamicism, and attributes it to the long period of prosperity and advancement that is possible through domestic piece. She returns to Whitman, quoting his paen to Democracy, and suggests that his words highlight how far our vocabulary has drifted over the generations. She laments a shift to seeing capitalism as the dominant driver of our social history, and the loss of religious and spiritual language as a way of reflecting on our history and culture. She also sees capitalism, and its emphasis on economics and optimization as corroding everything it touches — this is a rare moment when I am in accord with her thinking.

If she had such a dismal view of the future in 2012, I can hardly imagine her views now. That is not to say that she is wrong, of course.

Essays

Freedom of Thought, p. 3

Overall, I’m not quite sure of the point of this essay. She takes a lot of shots at science, does battle with what seem to me straw men with regard to scientific thought. I end up unimpressed by her arguments, and feel she casts herself in, to me, a rather bad light. All that said, I’m not sure where we end up. She doesn’t seem too pleased with current religious discourse either. She ends with “Science can give us knowledge, but not wisdom. Neither can religion, until it puts aside nonsense and distraction and becomes itself again.

Focusing a bit on her comments about ‘science,’ and the sort of thought it fosters:

She begins this essay remarking that she has spent her years of writing and teaching trying to free herself of constraints. By this she appears to mean that she has tried to move beyond the ‘narrow’ ‘scientific’ conception of human beings and human life. She draws examples from her undergraduate education, but her examples — “moldy theories … memorized for the test and never thought of again;” and (faux) research with rats in the behaviorist paradigm – seem to me to cast aspersions on the institution where she was educated, and on her own commitment to learning, rather than establishing the case that college somehow imposes constraints on thinking. Similarly, her claim that the curriculum held up Freud’s thought (and others) for admiration simply because it was thought by Freud, seems jaw-droppingly simplistic: Freud is important because he had a vast influence on the thought of his time, contributed many concepts to an emerging discipline, and influenced (and antagonized) a vast network of intellectuals during his lifetime and later. One might argue that other thinkers had less impact for reasons that had nothing to do with quality of their thought, and that it is a disservice to breadth and diversity to ignore them, but that is not the argument she makes. Anyway, this left me with a poor impression of her character, and her qualities as an intellectual.

She is also rather careless with facts. The nth hand account (‘I have read that…’) she gives of the use of infant rats as reinforcements in an operant conditioning experiment seems dubious, and, indeed, although there is plenty of research on rat ‘infants’ (or “rat pups”) as they are called in the literature, I can find nothing remotely similar to what she describes. I think this is a story that someone invented, and I have the sense that the truth of it is not of importance to her — it is simply a usefully shocking image that plays into her rhetoric. Another very trivial example is that at one point she says she has read that the number of neurons in the human brain is greater than the number of stars in the milky way. That’s not correct — what she probably read is that the number of interconnections in the human brain is greater, etc.. This does not impact her argument, but does illustrate a certain carelessness and the absence of an external fact-checker.

There is more, but I’m sufficiently unenthralled by the essay that I don’t feel like pursuing it.

Imagination and Community, p. 19

I liked this essay much more than her previous one, and it largely eliminated the poor impression I had formed based on her “Freedom of Thought” essay — although I still do not like that essay.

She begins by writing about what she likes about books, and libraries of books. Here she strikes a chord with me. Then she goes on and introduces the apophatic — knowledge or reality than can not be expressed in words. She is very attracted to this notion, taking, I think, as sort of a holy mystery and reveling in it: “the unnamed is overwhelmingly present and real for me.” I’m not quite sure what to make of this. Certainly words, narrative, stories, are not the same as the reality of nature, but… so what? Why should they be? Language, like any representational system, is good at representing some things, and not at others. The representational mechanism of the calculus does a fine job of allowing us to deal with the infinite and the infinitesimal, where words — for example, in Xeno’s paradoxes — founder in a seemingly paradoxical fashion.

What I like most in this essay are her reflections on community, and the imaginative aspects the underlie it. She does not appear to be familiar with, or at least does not cite, Benedict Anderson’s seminal work on “Imagined Community.” While there is resonance with that, she also reflects on her relationship — as an author of fiction — with wholly the thoughts, feelings and actions of wholly imaginary characters.

I would say, for the moment, that community, at least community larger than the immediate family, consists very largely of imaginative love for people we do not know or whom we know very slightly. This thesis may be influenced by the fact that I have spent literal years of my life lovingly absorbed in the thoughts and perceptions of who knows it better than I?— people who do not exist. And, just as writers are engrossed in the making of them, readers are profoundly moved and also influenced by the nonexistent, that great clan whose numbers increase prodigiously with every publishing season. I think fiction may be, whatever else, an exercise in the capacity for imaginative love, or sympathy, or identification.

—ibid., p 21

Austerity as Ideology, p. 35

While I can’t say I enjoyed reading this essay, it exhibits her strengths as a writer and thinker. As I read, the thought that kept recurring was ‘If she was this disturbed in 2012, how must she feel now?’ It seems to me that every concern she has articulated seems to have intensified tenfold. Yikes.

She is good a diagnosing and describing, but I see little in the way of prescription or hope. Austerity and fear have fused into a single driving ethos, and are the motive force behind the destruction of various public institutions that were designed to benefit a broad range of people. While she notes an alternative approach at the end of her essay, it seems more wistful than hopeful. Of course, there is no requirement that she solve problems or offer hope.

Much of what she said was familiar to me, but I found a couple of her explorations thought-provoking. One had to do with the cold war period, and how threatening the US and UK must have seemed to the Russians. And, following on from that, the ‘competition’ between the US and the Soviets in arts, culture and science. The cultural competition, she thinks, helped us; the military competition was disastrous for both.

… reading break ….

Open Thy Hand Wide: Moses and the Origins of American Liberalism, p. 59

When I Was a Child, p. 85

My favorite essay so far. It has to do with growing up in the west — Idaho — and some of the perspectives that that gave her. In particular she has some interesting remarks about being unattached to particular traditions, and about loneliness being, if not a good thing, at least something with positive connotations. She suggests that loneliness and unattachment, while they have become associated with dysfunction in the general culture, still have positive associations that can be seen in the aloof heros of westerns, and the protagonists of country-western songs.

She segues into a discussion of Housekeeping, her novel (seemingly assuming that of course her readers will be familiar with it). I found that a little irritating, but not without interest.

We have colonized a hostile planet, and we must stanch every opening where cold and dark might pour through and destroy the false climates we make, the tiny simulations of forgotten seasons beside the Euphrates, or in Eden. At a certain level housekeeping is a regime of small kindnesses, which, taken together, make the world salubrious, savory, and warm.

ibid. 93

and

I remember kneeling by a creek that spilled and pooled among rocks and fallen trees with the unspeakably tender growth of small trees already sprouting from their backs, and thinking, there is only one thing wrong here, which is my own presence, and that is the slightest imaginable intrusion feeling that my solitude, my loneliness, made me almost acceptable in so sacred a place.

– ibid. 88

The Fate of Ideas: Moses, p. 95

Wondrous Love, p. 125

The Human Spirit and the Good Society, p. 143

Who Was Oberlin: Cosmology, p. 183

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EP#15: The Making of the American Essay*

*EP#15: The Making of the American Essay, John D. Agata (Graywolf Press, 2016)


Favorites are indicated by ** – there is only one: Blood Burning Moon.
* indicates those that I found something notable in, though I was not keen on them
(*) indicates something previouly read that I still like.
Frankly, I did not care for most of the essays (or, really, most were not essays, but presumably informed or influenced American essayists) in this volume.


This is the 15th volume CT and I have taken up in our essay reading project. Here we return to the type of book we began with — the broadly historical anthology. This differs from previous anthologies we’ve read in that it appears that the editor introduces each piece, something we’ve wished for in the past, especially when we’ve been mystified by why an essay was selected.

Later: Now that we’re farther into it, I’m a little less keen on it. A lot of the material in here are not actually essays: there are short stories, one sermon, a book chapter or two, and some very long pieces (Mark Twain’s A Letter from Earth), none of which strike me as essays. I had hoped for essays, or at least short essay-like pieces… and there are some, but quite a lot is other material. Although his initial introductions were pretty good at situating selections, as the book moves on the introductions are less about the selections, per se, and instead his sort of personal arc through American History. He is also quite fond of experimental work — work that, while it might have raised questions at the time, or contributed to discourse among the literati, is difficult to imagine anyone reading for pleasure or even enlightenment.

Continue reading EP#15: The Making of the American Essay*

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EP#14: 2023 Best Science & Nature Writing–Overview

* The Best American Science and Nature Writing of 2023 (ed. Carl Zimmer)

February – March 2024

CT and I selected this book to continue our essay project. However, after reading the first three pieces, we have reconsidered. Although the articles are interesting, they are not what either of would call essays. It’s really journalism, with the focus on ideas. The prose is generally clear and workman like, but as yet we have not encountered any writing that makes us pause to savor the phrase. We intend to look through the book, and — by paying attention to where the piece was originally published – see if we can come up with more essay-like pieces. However, we both suspect, that the book will not past muster vis a vis our project, and that we will move on to something else following our next meeting.

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EP #`13: Awakenings, Oliver Sacks

January 2024

Entry 13 in the Essays Project with CT; this is the seventh book we’ve read by Oliver Sacks. This is the book that, with the help of a documentary and then movie, transformed him into something of a celebrity. It is an account of the experience of ‘awakening’ patients with Parkinson’s induced by Encephalitis Lethargia by administering L-Dopa, their experiences of returning to a sort of normal life, and then their declines due to the follow-on negative effects of L-Dopa.

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EP#12: The Mind’s Eye, Oliver Sacks

Entry 12 in the Essays Project with CT; and this is the sixth book we’ve read by Oliver Sacks. Here we take up the neurological case account essays for which he is best known, after reading his two autobiographies, and other writings ranging from general essays to an account of his travels in Oaxaca. This book, published in 2010, explores cases in which people have lost visual abilities that we all take for granted – not so much blindness (although maybe there will be some essays on that), but rather the consequences of some of the many ways in which the complex and intertwined elements of the visual processing system may be disrupted.

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EP #11: Uncle Tungsten: Memories of a Chemical Boyhood*, Oliver Sacks, 2001

Entry 11 in the Essays Project with CT; the ‘summer of Sacks’ has turned into the fall of Sacks. It is interesting to be getting such a comprehensive view of a single person’s life and writing. Uncle Tungsten was apparently written in response to the spontaneous surfacing of childhood memories as Sacks approached his 60th year. We’ve read some other essays from that time, mostly from Everything in its Place (essays on South Kensington and Humphry Davies), and found those very good though we hope considerable new ground will be covered. [Later: New ground is being covered — there is not a lot of repetition…]

* Uncle Tungsten: Memories of a Chemical Boyhood, Oliver Sacks, 2001.

Continue reading EP #11: Uncle Tungsten: Memories of a Chemical Boyhood*, Oliver Sacks, 2001

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EP #10*: The River of Consciousness, Oliver Sacks

*The River of Consciousness, Oliver Sacks, 2015.

This is part of the course of essay reading I am doing with CT; in particular, this is part of what we have dubbed ‘The Summer of Sacks.’ According to the introduction, this book was posthumously assembled at Sack’s direction a couple of weeks before his death. One of the catalysts was a televised panel with other notable scientists and scholars — Gould, Dyson, Dennet, etc. — that was later captured in a book called “A Glorious Accident.” This book contains a wide range of essays on scientific topics, with, I suspect, particular attention to history.

Continue reading EP #10*: The River of Consciousness, Oliver Sacks

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EP #9*: On the Move: A Life, Oliver Sacks

*On the Move, Oliver Sacks, 2015.

These are my notes on On the Move, Oliver Sacks autobiography (billed as volume 2, but the publisher, volume 1 being Uncle Tungsten: Memories of a Chemical Boyhood, written a couple of decades earlier). This is part of the course of essay reading I am doing with CT; in particular, this is part of what we have dubbed ‘The Summer of Sacks.’ These are not, of course, essays, but we have become interested in Sacks, and it is interesting to see the essays against a fuller narrative of his life.

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EP #8*: Oaxaca Journal, Oliver Sacks

Oaxaca Journal, Oliver Sacks, 2019.

These are my notes on Oaxaca Journal, by Oliver Sacks, 2019. This is part 8 of the course of essay reading I am doing with CT; in particular, this is part of what we have dubbed ‘The Summer of Sacks.’ Strictly speaking, these are not essays but rather chapters — or daily entries – from a journal he kept of a trip to Oaxaca, Mexico, with the American Fern Society.

Introduction

Sacks opens by writing of his love of the Natural History journals of the nineteenth century, and their blend of the personal and professional. He notes that most of the naturalists were essentially amateurs, self-taught, and feeling their way before or as biology and botany were crystalizing into sciences. He adds:

This sweet, unspoiled, preprofessional atmosphere, ruled by a sense of adventure and wonder rather than by egotism and a lust for priority and fame, still survives here and there, it seems to me, in certain natural history societies, and amateur societies of astronomers and archaeologists, whose quiet yet essential existences are virtually unknown to the public. It was the sense of such an atmosphere that drew me to the American Fern Society in the first place, that incited me to go with them on their fern-tour to Oaxaca early in 2000.

Oliver Sacks, Oaxaca Journal, p xiv
Continue reading EP #8*: Oaxaca Journal, Oliver Sacks

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EP #5*: Favorites from the Golden Age of the Am. Essay** 1945-1970

2023

Favorites:
An Evening with Jackie Kennedy, Norman Mailer
Writing about Jews, Philip Roth
The Paranoid Style in American Politics, Richard Hofstadter
The Twenty-ninth Republican Convention, Gore Vidal
One Night’s Dying, Loren Eisley

Continue reading EP #5*: Favorites from the Golden Age of the Am. Essay** 1945-1970

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EP #6*: Favorites from the Contemporary American Essay

April-May 2023

Thomas Beller, Portrait of the Artist as a Young Bagel, 2005
Aleksandar Hemon, The Aquarium, 2013
Leslie Jamieson, The Empathy Exams, 2013
Karen Russell, Beeper World, 2014 
John McPhee, Draft , 2017
Floyd Skloot, Gray Areas: Thinking with a Damaged Brain, 2003

* Part 6 of the Essays Project: A course of reading conducted with Charles Taliaferro. Note that these are my particular favorites and views, not CT’s, though no doubt some are influenced by him.

** The Contemporary American Essay, edited by Philip Lopate

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EP #4*: Five Essays by Chesterton

Thursday, 6 October 2022

* Part 4 of the Essays Project: A course of reading conducted with Charles Taliaferro. Note that these are my particular favorites and views, not CT’s, though no doubt some are influenced by him.

This entry contains thoughts on five essays by Chesterton:

A Defense of Rash Vows
A Piece of Chalk
On Lying in Bed
Dreams
On the Thrills of Boredom

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EP #3*: Favorites from Best American Essays of the 20thC

Thursday, 25 August 2022

My favorites from the Best American Essays of the 20th Century:
The Brown Wasps, Loren Eisley – 1956
Perfect Past, Vladimir Nabokov – 1966
Stickeen, John Muir – 1909
The Search for Marvin Gardens, John McPhee – 1972
Total Eclipse, Annie Dillard – 1982

And essays which weren’t quite favorites, but which I found instructive:
Pamplona in July, Ernest Hemingway, 1923
Putting Daddy On, Tom Wolfe, 1964  
The White Album, Joan Didion, 1970

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EP #2: Best Am. Essays of 2020 – First look…

Wednesday 9 March 2022

It’s a cold day, in the teens, with a some faint wisps of cirrus clouds in a whitish blue sky. As the temperatures have fallen over the past few days, puddles have solidified, breeding long spear-like ice crystals. There are ice crystals in the sky as well — they make up the Cirrus clouds and distinguish them from most other types of clouds which are made of water droplets. Cirrus clouds occur during fair weather, which this is; they sometimes herald warm fronts, but not this time.

I have just come from my weekly meeting with CT, where we discussed essays. We have finished the Oxford Book of Essays, and embarked on a new book: The Best American Essays, 2020. After the Oxford book, whose most recent essay was authored in 1984, we wanted to get a sense of the state of the art. For this session, we read the Foreward, Introduction, and first three essays of BAE2020.

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EP #1*: Ten Favorites from The Oxford Book of Essays**

February 27, 2022

Favorites:
The Haunted Mind, Nathaniel Hawthorne, 1835
The Acorn-Gatherer, Richard Jefferies, 1884
Cordova, Arthur Symons, 1898
A Clergyman, Sir Max Beerbohm, 1918
The Death of the Moth, Virginia Woolf, 1925
Insouciance, 1928,  D H Lawrence
The Toy Farm, J. B. Priestly, 1927
The Snout, Loren Eisley, 1957
The Crisp at the Crossroads, Reyner Banham, 1970
La Paz, Jan Morris, 1963

Continue reading EP #1*: Ten Favorites from The Oxford Book of Essays**

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